20 innganger for større lydbilde
Livetrak L-20 er designet for å mikse større lydproduksjoner. Den har 20 innganger (16 mono/line-inngagner og to stereo innganger) hvor alle har egen 3-bånds mid-parametrisk EQ. De 16 mono inngangene har egen kompressor.
22 spor med opptak
Du kan gjøre opptak av 20 kanaler smat en stereo miks direkte til et SD-kort. LiveTrak L-20 har en oppløsning opptil 24-bit/96 kHz, og med -128 dBu EIN med +60dB maksimum inngangsnivå er L-20 utstykket med de ZOOMs stilleste og mest avanserte forforsterker. Miks ned den ferdige sangen på L-20 eller overfør sporene til en DAW for senere perfeksjonering. * Effekter, EQ, overdub, lydkort, og fader modus A-F er ikke tilgjengelig i 96 kHz.
Lag seks egne monitormikser
Seks uavhengige monitorutganger for musikere, hver utgang kan ha sin egen miks med effekter, kan enkelt byttes mellom en kraftig hodetelefonutgang og til en balansert linjeutgang for scenemonitorer.
Og en for mikseposisjonen også
LiveTrak L-20 har i tillegg en dedikert sjuende utgang for FOH-teknikeren. Lydmannen kan monitorere hovedmiksen og hver enkelt submiks for å kunne justere de slik musikeren vil.
Big Beautiful Interface
Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.*
*Apple Lightning to USB Camera Adapter required.
Wireless Mixing
The LiveTrak L-20 offers wireless control* via a free iOS mobile app "L-20 Control" featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls.
* Zoom Bluetooth adapter (ex. BTA-1) required. Communication at up to 10 meters is possible in an unobstructed indoor space with BTA-1 units.
What's in the Box
Included with the L-20
LiveTrak L-20
AD-19 AC Adapter
USB 2.0 Cable
Quick Guide
Optional Accessories
RKL-12 Rack Mount Adapter
BTA-1 Bluetooth Adapter
FS01 Momentary Footswitch
NUMBER OF INPUT AND OUTPUT CHANNELS
Stereo (LINE): 2
| Inputs: | Mono (MIC/LINE): 16 |
| Output: | MASTER OUT: 1
MONITOR OUT: 6
PHONES : 1 |
INPUTS 1-8
| Mono (MIC/LINE): | Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT)
Input gain
PAD OFF: +16 – +60dB
PAD ON: - 10 – +34 dB
Hi-Z ON: +6 – +50 dB
Input impedance
XLR: 3 k O
TRS: 10 k O /1 M O (when Hi-Z ON)
Maximum input level
PAD OFF: 0 dBu (at 0 dBFS)
PAD ON: +26 dBu (at 0 dBFS)
Phantom power
+48 V
|
| Stereo (LINE): | Type: TS phone/RCA pin (unbalanced) jacks
Maximum input level : +10 dBu |
OUTPUTS
| MASTER OUT: | Type: XLR jacks (balanced)
Maximum output level :+14.5 dBu
Output impedance: 100 O |
| MONITOR OUT A–F (with balanced output) connected to monitor speakers: | Type: TRS phone jacks (balanced)
Maximum output level: +14.5 dBu
Output impedance: 100 O
|
| MONITOR OUT A– F (with unbalanced output) connected to headphones: | Type: Standard stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 O
Output impedance: 100 O |
| PHONES: | Type: Standard stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 O
Output impedance: 100 O |
BUSES
| MASTER: | 1 |
| MONITOR: | 6 |
| SEND EFX: | 2 |
CHANNEL STRIP
| COMP: | |
| LOW CUT: | 40–600 Hz, 12dB/OCT |
| EQ: | HIGH: 10 kHz, ± 15 dB, shelving
MID: 100 Hz – 8 kHz, ± 15 dB, peaking
LOW: 100 Hz, ± 15 dB, shelving |
| PHASE: |
LEVEL METERS
SEND EFFECTS
| Effects: | 20 types:
EFX 1
Hall 1 (Reverb)
Hall 2 (Reverb)
Room 1 (Reverb)
Plate (Reverb)
Church (Reverb)
DrumAmb (Reverb)
GateRev (Reverb)
Vocal 1 (Delay + Hall Reverb)
Vocal 2 (Delay + Mono Reverb)
Vocal 3 (Delay + Plate Reverb)
EFX 2
Hall 3 (Reverb)
Room 2 (Reverb)
Spring (Reverb)
Delay (Delay)
Analog (Delay)
P-P Dly (Delay)
Vocal 4 (Delay + Room Reverb)
Chorus 1 (Stereo Chorus)
Chorus 2 (Mono Chorus)
Cho+Dly (Chorus + Delay) |
RECORDER
| Maximum simultaneous recording tracks: | 22 at 44.1/48/96 kHz |
| Maximum simultaneous playback tracks: | 20 |
| Recording format: | WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo |
| Recording media: | 4 GB – 32 GB SDHC cards (Class 10 or higher)
64 GB – 512 GB SDXC cards (Class 10 or higher) |
AUDIO INTERFACE
| 44.1/48 kHz: | Recording: 22 channels
Playback: 4 channels |
| Bit depth: | 24-bit |
| Interface: | USB 2.0 |
SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE
| Windows: | OS: Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit)
CPU: Intel® Core i3 or faster*
USB: USB 3.0/USB 2.0**
* Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD.
** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. |
| Mac: | OS: Mac® OS X 10.11 / 10.12 / 10.13
CPU: Intel® Core i3 or faster
USB: USB 3.0/USB 2.0*
* Operation is not guaranteed when used with USB hubs or expansion cards. |
| iPhone/iPad: | OS: iOS 9 / 10 / 11
* Apple Lightning-to-USB Camera Adapter required. |
CARD READER
USB HOST
| Class: | USB 2.0 High Speed |
| | |
| Sampling frequency: | 44.1/48/96 kHz |
| Frequency characteristics: | 44.1 kHz: -1.0 dB, 20 Hz – 20 kHz
96 kHz: -3.0 dB, 20 Hz – 40 kHz |
| Equivalent input noise: | Actual measurements: -128dB EIN (IHF-A) at +60dB/150O input |
| Display: | LCD with backlight (128×64 resolution) |
| Power: | AD-19 AC adapter (DC12V 2A) |
| Power consumption: | 24 W maximum |
| External dimensions: | 445 mm (W) × 388.4 mm (D) × 82.6 mm (H) |
| Weight (main unit only): | 3.71 kg |