Pyramix is a digital audio workstation used by professional studios and
engineers the world over for post-production TV and film, music
production, CD/SACD mastering and many more audio-related industries
where advanced tools and flexibility, combined with astounding sonic
precision are required.
Recording/Aquisition
Edit/Mix/Master During Record
Imagine being able to stop your timeline and let your recording
continue. This simple difference from standard DAW recording allows
users to play over material, scrub, edit, automate, render add and edit
CD markers and generally treat the entire timeline as though it were
filled with previously recorded sounds. This is an indispensable tool
for almost every single Pyramix workflow.
Secure Recording Features
From automatic keyboard lockout for long uninterruptable takes
(like a live concert such as The British Royal Wedding) to backup media
paths for every recorder (allowing two distinct media sets to be created
for each recording), Pyramix is the most trusted DAW when it comes to
reliably capturing even the most critical of performances.
Ultra-Large Track Count Recordings
A single Pyramix MassCore system is capable of recording up to
384 discreet audio channels at once. This has huge implications at
44.1/48 kHz, but is even more interesting when samplerates start to
increase.
- 384 track recording @ 44.1 / 48 kHz
- 192 track recording @ 88.2 / 96 kHz
- 96 track recording @ 176.4 / 192 kHz
- 48 track recording @ DXD / 384 kHz
- 32 track recording @ DSD64 / DSD128 / DSD256
Interchange Format Support
If your sounds need to come from another workstation, then
Pyramix offers a complete set of interchange format support. This
ensures that no matter where your project is starting or finishing, you
can use your Pyramix without fear of compatibility.
- DAR Reel/Segments
- Sonic Solutions
- AES31
- FCP XML
Advanced Editing for the Professional
Professional editors need an advanced and flexible toolset to be
able to work at the pace that today's industry requires. Using Macro
Editors, a tool-free editing paradigm and layers of keyboard assignable
edit functions means that editors have everything they need to create
the ultimate custom editor.
The First Real-Time Timeline
Most DAW's today can live up to what most consider to be a
'real-time' timeline. Adding Clip Gains, Envelopes and real-time fades
are common nowadays. But, Pyramix also boasts the ability to be able to
place any file (mixed samplerates, file types, bit depths, codecs and
track widths) on a single timeline with no rendering required
whatsoever.
Global Libraries
A combination of optimized sound effects search database, sound
design edit storage, mixer parameter presets creator and inter-Pyramix
sharing tool, the Global libraries are an essential part of Pyramix
workflows. Users can drag and drop any information from a Pyramix
project into a library and instantly share that info between projects
and even between Pyramix systems residing on the same network! Included
in the library is a comprehensive search tool with Boolean options.
The Fade Editor
Direct access to each fade in a project, allowing for sample
accurate curve adjustment, in and out trimming and a slew of auditioning
features means that even the most complex crossfades are easy to
achieve. The Fade editor works on single track edits and any size of
multi-track edit and is able to perform asymmetric crossfades with
completely user definable custom curves.
Source and Destination Editing Model
Source and Destination editing might not be the most common of
editing models, but it is by far one of the most powerful. When editing
take after take of multi-channel performance, being able to quickly
compile numerous 'source' takes into a destination timeline is
incredibly powerful. If you are editing take-based recordings, source
and destination will become indispensable the moment you begin to use
it.
Time Compression/Expansion and Pitch Shift with DIRAC3
When your media needs to be fit into a space it wasn't meant to,
using DIRAC3 will get you closer to the original sound better than any
other algorithm out there. Perform sample accurate pull up/down of an
entire timeline, or manually adjust the pitch or length of any piece of
media in your project with the best possible results using DIRAC3.
(PSP-MTP options required)
All the Tools a Mixer Needs
Pyramix features a comprehensive mixing interface with all the
tools needed to make even the most complex of mixes come together. The
mixer has VCAs, Subgroups, Multi-Mono, Multi-Stereo and Stem-Surround
busses and Auxiliaries and includes VS3 and VST support along with a
range of plugins covering any type of workflow. Pyramix even features
over 23000ms of delay compensation to allow for almost limitless plugin
use without any effect on timeline sync!
Automate like a Boss
Every single parameter of the Pyramix mixer can be automated
with full control over touch, latch and isolate modes. Pyramix also
offers a comprehensive Automation Versions window, which allows users to
scroll through the automation history, even while in playback! Save
automation versions for a single timeline, create easy to achieve A/B
comparisons during listen-back sessions and generally be able to move
through the automating of your project with ease.
Complete, in-the-box Monitoring
Multiple speaker sets, complete control over speaker mutes and
phase, and a comprehensive talkback section are just a few of the
features in the integrated monitor section. Also able to be addressed
using any remote protocol makes this an indispensable tool for any mix
room.
Professional Metering for Professional Users
The fully configurable peak meters on the mixer are just the
beginning of what Pyramix users enjoy when keeping an eye on levels.
Pyramix also includes a meter bridge with user definable VU and peak
metering for all strips and busses. As well, the Final Check Metering
tool allows users to simultaneously meter a stereo and surround buss of
their choosing with a host of standards including VU, PPM, Intersample
Peak, Loudness (LuFS), Phase / Spatialization. All of these standards
can also be shown in a time-based graph, allowing users to simply and
easily check the changes in each over any duration.
Swiss-Precision Sonics
Being Swiss, Merging do their best to remain as neutral as
possible. When that desire is applied to audio engines, Pyramix users
around the world benefit from what has been called 'the most transparent
workstation' on the market today.
Master at any Samplerate/Bitdepth
When a workflow demands that a master be delivered at a certain
samplerate, doesn't have to mean that your work has to be at the same
one. Mastering projects in Pyramix can be run at any samplerate and
Bitdepth so that all of your gain structures, dynamics adjustments and
effects are applied with the highest resolution possible. All SRC and
dithering occurs using HEPTA, the SRC used by the world's top mastering
engineers.
Simultaneous Album Publishing and CD Masters
In the era of digital downloads, delivering a CD master is
becoming less and less necessary. At the same time, the need for a
multitude of files, each of different type/samplerate/bitdepth is needed
for various archive and download uses. Album publishing with Pyramix
means that all of this happens, faster than real-time with the single
click of a button.
Master from Multi-Track
When working on project from beginning to end, being able to
keep all of your options open creates a huge improvement in what
engineers are able to achieve. Mastering directly from your multi-track
project means that if there is something wrong with your mix that is
affecting what mastering can achieve, then you can fix it
instantaneously.