AMS NEVE BCM10/2 Mk2 Analog console 16 channel

Designed in 1969, the classic Neve® BCM10 was the ultimate tracking console for the world's premier studios.

Its Class A design, transformer-balancedtopology, and 1073® modules delivered the ultimate in
audio performance throughout the golden era of studio recording.

When designing the modern BCM10/2Mk2, Neve engineers painstakingly reverse-engineered the classic BCM10 console.

No expense was spared when sourcing original components in order to deliver the legendary sound heard on countless recordings spanning thepast five decades.
The BCM10/2Mk2 introduces modern routing and monitoring options, bringing the console fully up to
dateforuseintoday’sstudios,anditscompactsizeallowsthisClassAlegendtobehousedinapremier home studio environment for artists and producers looking to harness theiconic Neve sound.

Designed, manufactured, and assembled by hand in the UK, theBCM10/2Mk2 is the preeminent console choice for discerning

Artists, Producers, and Engineers and is guaranteed to delight even the most demandingear.

Quick Technical Overview

• Neve® classic sound using Class A topologyConsolesizes:10,16,24,or32channels •Channelampchoiceof1073N,1073® Classicand1084
• Classic voltage mixing using 1272 balanced mixing topology
• 2x500 slots fitted with 2264ALB compressors,
• patchable or selectable across theMixBus
• Direct outputs on every channel selectable pre-or post channel insert
• Simple input to each channel doubles mix inputs when mixing and also allows monitor and cuemixes •4 Auxes,1 Stereo Cue,1 Stereo Main Mix Bus
• Stereo and 5.1monitor with Passive 24 position gold plated monitor level control
• 3xStereo & 1x5. 1 selectable loudspeaker output sets
• Comprehensive Solo system with Destructive and Safe/isolatemodes
• 2xstereo reverb returns with width, mono and balance controls & 2 mono DI to bus inputs
• Main mix output insertion selectable pre- or post- fade with IMR parallel processing controls
• 25-way D-sub connectivity for easy installation into home or studio environments
• Optional sidecar stand on castors

Audio Performance

Mic Input (Transformer-balanced) to Insert Send

• Headroom – >+28.5dBu @ 10kohms bridging (<0.5% THD+N)
• Frequency Response – Typically +/- 0.25dB, 20Hz to 20kHz
• Distortion (THD+N) – Typically 0.028% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)
• Noise (EIN) – <-126.0 dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150? R)
  

Line Input to Mix Output

• Headroom – >+28.5dBu @ 10kohms bridging (<0.5% THD+N)
• Frequency Response – Typically +/- 0.25dB, 20Hz to 20kHz
• Distortion (THD+N) – Typically 0.028% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)
• Noise (EIN) – <-126.0 dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150? R)
• Mix bus Noise – typically -86dBu 20Hz to 20kHz filter
• Output noise – typically -95dBu 20Hz to 20kHz filter
  

Dimensions

• Height (on stand) to top of speaker shelf – 998mm (39.2 inches)
• Height (on stand) to top of faders – 754mm (29.6 inches)
• Height (without stand) to top of speaker shelf – 455mm (17.9 inches)
• Height (without stand) to top of faders – 210mm (8.2 inches)
• Depth – 1096mm (43.1 inches)
• Width (10 channel console) – 878mm (34.5 inches)
• Width (16 channel console) – 1158mm (45.5 inches)
• Width (16 channel console with producers table) – 1900mm (74.8 inches)
• Width (24 channel console) – 1529mm (60.1 inches)
• Width (24 channel console with producers table) – 2271mm (89.4 inches)
• Width (32 channel console) – 1900mm (74.8 inches)

• Available with 10, 16, 24 and 32 channels
• Pair of matching cherry oak loudspeaker shelves to mount on top of the console
• Sidecar stand with lockable castors (32-fader stand has fixed feet)